On Hold
Sara Wallace
the seething, the tired of waiting. While on hold
I’ve graded homework and ordered a pressure cooker.
I’ve watched the box of window lighten
from a dark-undereye-circles navy to indifferent grey
to the faded blue of a vein seen through skin.
I’ve watched the sun pulse through the glass
in a hot white column, throwing its fire
that never burns on the hair-fuzzed floorboards,
bedazzling the small spiderweb built
between the leaves of an unstirred houseplant—
a reminder that an uncaring index finger can poke
into the center of anything and rend it apart forever,
not just a spiderweb or my molars,
but paper, ink, the mix tape I made
my now ex-husband when we were eighteen
and both still virgins, or the small crazy quilt
made of batik and velvet and gold-threaded fancywork
my aunt made for my teenager before he was born.
Before she died of bone cancer her fingernails
grew too thick to trim—yellow, ridged and curved under—
even though her bones were so soft she couldn’t stand.
Even this music I’m hearing—this song by a dead man—
has been played so much it’s like listening to grey ash falling
after the forest of an entire state has burned.
Why am I waiting, anyway?
I called for an answer and it’s giving me one.
Sara Wallace is the author of The Rival (selected for the Agha Shahid Ali Poetry Prize) and the chapbook, Edge (selected for The Center for Book Arts Poetry Chapbook Competition). Her poetry has appeared in such publications as Agni, Hanging Loose, Michigan Quarterly Review, Poetry Daily, Yale Review and others. A recent finalist for a Rona Jaffe Foundation Writer’s Award, she is a recipient of a grant from the Sustainable Arts Foundation and fellowships from the Virginia Center of the Creative Arts and the Millay Colony for the Arts. She currently teaches at New York University and lives in Brooklyn.